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TOPS GLOBALLY. FLOPS LOCALLY.

Monojit Lahiri explores why films, which receive acclaim at International film festivals are unable to convert their critical ...

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NOT ABOUT SWASH-BUCKLING AND SWORD-SWINGING HEROES

Here’s an interview of Dr Shoma A. Chatterji, about her latest book ‘Through the Lens, Brightly: Women in Cinema, Women at Work&rsq...

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MAHABALI: M. K. Raina’s Theatre!

Aparajita Krishna reviews the latest MK Raina play Mahabali and discusses its significance to these times when a distorted int...

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FASHION ‘DRISHYAM’ of HINDI FILMS 1970s!

Aparajita Krishna tours the Hindi cinema fashion world of the 1970s and places it in context to the way we interpret fashion i...

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Art of Lines & Commas

Khalid Mohamed in conversation with Ashok Namdeo Hinge, calligrapher, graphic designer and abstractionist, we...

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BOLD AND BEAUTIFUL

Film historian Dhruv Somani, a loyal fan of Sushmita Sen, retraces her  estimable career, as her birthday approaches on N...

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STILL FACES RUN DEEP

Kamlesh Pandey harks back ten years and mines into an interview he did with Amitabh Bachchan, to bring his genius to fore and ...

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ETERNAL CHARISMA

Khalid Mohamed reconstructs the Rajesh Khanna he knew.Indian cinema’s first acknowledged superstar 10th death anniversar...

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Salty and Spicy

Film historian Dhruv Somani marvels at Gulzar’s women-centric flavored Namkeen (1982).

Reasons For My Angry Song

\Humra Quraishi recalls the days of the past when the Muslims didn’t live in fear and the Hindus were kind, courteous an...

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